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PUBLICATION DETAILS

Raw Dog Screaming Press
@RDSPress

April 2013
234 pages
6 x 9 inches
ISBN 978-1-935-73829-9
$14.95 paperback
$4.99 kindle

RDSP Publicity
Jennifer Barnes

Cover Art
Brett Weldele

SIGNED LIMITED
HARDCOVER EDITION

 

THE KYOTO MAN


In the wake of the Stick Figure War, civilization lapsed into obscurity. Fallout ravaged the fabric of space and time. History digested reality and reality exhumed the future as survivors tried and failed to create a new beginning.

Amid the chaos, one man experiences a terminal affliction, a revolution of the self: the chronic transformation into the city of Kyoto, Japan. Each transformation further plunges the world into darkness, but he’s helpless against the lethal clockwork of his body, his psyche, his mindscreens . . . and nothing, not even Fate itself, can stop him from becoming God.

In the third and final installment of the Scikungfi trilogy after Dr. Identity and Codename Prague, acclaimed author D. Harlan Wilson composes a narrative grindhouse that combines elements of science fiction and horror with pop culture and literary theory. Erudite, ultraviolent, and riotously satirical, The Kyoto Man reminds us how, at every turn, reality is shaped by the forces that destroy it.

© 2013 Raw Dog Screaming Press

THE FOLLOWING DIEGESIS HAS BEEN APPROVED FOR
ALL AUDIENCES
BY THE STICK FIGURE ASSOCIATION OF AMERIKA

THE DIEGESIS ADVERTISED HAS BEEN RATED

"Not only philosophical and analytic reflection can be found hiding out in SF but even the work of revaluation and reinvention of artistic genres and styles. Against the yawning horizon of contemporary narrative D. Harlan Wilson turns up the vertical contrast of poetic prose. I was invited by my students to visit, as the one it takes to know another one, his laboratory of endopsychic science fiction. Following the deferral of my resistance to the proposed transference of recognition value, I finally did enter. But what took me by surprise was not as much the visualizable elements of the fictional world/word or its intellectual properties—served up on a splatter—as the exploration of poetic style carried forward, to my mind, from a recent repressed past of invention. The Scikungfi Trilogy is our continuity shot wit Ezra Pound's The Cantos." —Laurence A. Rickels, Sigmund Freud Professor of Media and Philosophy at the European Graduate School and author of I Think I Am Philip K. Dick, Nazi Psychoanalysis and The Vampire Lectures

"D. Harlan Wilson's scikungfi trilogy explodes pulp science fiction into new galaxies of frenzied prose that paints the imploding future as a funhouse of pop culture and avant-garde literature. The Kyoto Man goes a dimension or so further, mixing fractured narratives of SF with Hollywood pop into a postmodern scene that out-Burroughses Burroughs and makes Kerouac's trips seem square." —Douglas Kellner, Professor of Philosophy at Columbia University and author of The Postmodern Turn and Media Spectacle

"Pedestrian and irrelevant. Tripe. Guaranteed to never win the Pulitzer." —Satisfied Reader

"D. Harlan Wilson writes with the crazed precision of a futuristic war machine gone rogue. He is devastatingly good." —Lavie Tidhar, author of The Bookman and Camera Obscura

"A dark, trippy tale that pays homage to the past masters." —Fred Olen Ray, cult writer/director of Alien Dead, Hollywood Chainsaw Hookers, Bikini Frankenstein and Buck Rogers Begins

"Believe the hype this time. D. Harlan Wilson has more talent than you can throw an axe at." —Will Elliott, award-winning author of The Pilo Family Circus

"The techno-absurdist futurity of The Kyoto Man and the Scikungi Trilogy manifests an infrequent, if nonexistent, phenomenon, notwithstanding narratives that have been deemed as such by educational and publishing institutions for their own dubious ends: high literary science fiction." —Lofton Gitt, author of The Pale Escarpment

"Wilson’s prose is playful, violent, and humorous, but it also shows he’s one of those few authors who can make words do his bidding. If metafiction has suffered the risk of turning into a silly gimmick at the hands of untalented authors, D. Harlan Wilson has rescued it and elevated it to an art form. The Kyoto Man is proof that storytelling can be outstanding even when everything readers know is removed from the equation." —The Coffin Factory

"Kudos to you, Wilson. You have made meta-fiction play with itself and observed it as from the back of a classroom snickering, while it orgasms and digests itself into oblivion." —UR Chicago

"D. Harlan Wilson’s The Kyoto Man [is] a funhouse mirror-shattering novel that switches form and function as fast and often as its protagonist. Understanding is slippery, and Wilson, who once declared that plot was his mortal enemy, doesn’t make it simple for his readers, but half the fun is the ride, and the author’s absolute mastery of form and experimentation with the schizophrenic way in which the story is told make this book well worth the price of admission." Instructions for the Assembly of God(s)

D. Harlan Wilson is a novelist, short story writer, editor, literary critic, playwright, biographer and Professor of English at Wright State University-Lake Campus. In addition to over twenty works of fiction and nonfiction, hundreds of his stories and essays have appeared in magazines, journals and anthologies throughout the world in multiple languages. Wilson serves as reviews editor for Extrapolation, editor-in-chief of Anti-Oedipus Press, and managing editor of Guide Dog Books.

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