A
Reinvention of the Wound
Joseph
Zozaya
The body, delicate, morose, and yet defined by a persistence
in things immersed, was upon the table. The man looked at it
as if he were attempting to extricate a divine memory, but it
was futile. He moved away towards the window in which he saw
the trolley pass by, and the numerous people, all inoculated
from the paltry abundance in that room, went on their way. His
overcoat was musty. He wandered about, putting his hands within
his pockets, looking over vials and ornaments, eradicated books
and ineffectual time devices upon the shelves; there was really
nothing he could do except be included in the unfathomable limitations
of that disturbing room, a room with no inherent pattern of
departure. To allow the occasion to furnish him with understanding,
he looked at his watch piece which was near a small desk. Various
papers were also scattered there and a tipped over ink jar struggled
on its side, converging its blackness onto the decaying brown
wood. “Exuding with a conformity towards eternity,”
he muttered, staring at a piece of broken glass upon the floor.
He preferred to merge with everything, including that enclosure
which imprisoned him and yet not all was intact, indeed, nothing
seemed as an immanent or coherent perception. Fragmentary. Looking
at the body, the man began to endure convulsions, regressing
him to an incident and forlorn place. His eyes swelled, and
he reacted violently against that specter which was before him.
“The epoch of the living does not allow the limbs to move,”
he thought to himself, recovering from the ambient sense of
monstrosity which had just engulfed him. He lifted himself up
from the floor, where he was transposed after the bout of perturbation
which dismantled his ability to stand up properly, and, without
any discretion, he vomited upon the table. Locking the door,
he removed his coat, expelled his hat from his skull, and rolled
up his sleeves so that he was capable of better performing the
incessant and variable actions which were to follow. The naked
body on the table did not change its substance. A corporeal
texture adapted itself to the skin. A certain debilitating odor
was featured in the air and something yet uncertain was yet
to be indicated. He grasped the sharp utensil and, before placing
it upon the skin of the body, he looked out through the window.
He could already detect that people were nearing the small building
and that a group of eyes were against the substance of the glass,
subdued by the inevitable context within that room. Their gestures
were horrendous. They were not even consistently human, dark,
rotund faces with peculiarly distracting teeth, groping mouths
etched by years of vacuity. Diseased skin was to be the featured
divergence of semblance, found upon all their guises, and they
lumbered against the building until their shadows extorted the
light from entering. The electric bulb struggled to create a
fitting source of impression within the room. The man before
the body placed the utensil along the skin and produced a hole
which expanded at the surface and then below, into a further
perplexing realm. Soon there was a laceration which exaggerated
itself from the umbilical region towards the neck. Then the
man unveiled it even further by the use of his hands. He looked
one last time at the aggregation of horrid creatures which were
threateningly attempting to enter, and he showed a penetrating
nervousness upon his face and demeanor; even sweat leaked from
his forehead. His hands revived the wound, and then with one
last glance at his surroundings, he immersed first his feet
and then his legs, and then all his body was thrust through
the fissure in that corporeal mass upon the table. His head
disappeared. Unavoidably there was no more of him. Adjusting
the wound, he closed it from underneath and the sounds which
he had created in that uproarious silence were evacuated. He
suddenly inherited another ambiance, somewhere in a sphere of
meaningless arrangements and labyrinths and yet imbued with
an adoration for the deceased and their ability to transcend
time and barrier.
Currently
living within the boundaries of an expansive sewer tunnel located
beneath the morose city of Vienna, Joseph Zozaya finds that
oppressive odors are what suit him the most. An ambiance of
generosity is exhibited by the denizens of the underworld towards
his presence. At times he peers upon the contortions of everyday
life, listening to conversation which seeps into his vanquished
labyrinth. One would think that he is possessed by some hideous
affliction or some horrendous facial disturbance, but no such
ailments plague him. Often he comes out to associate with humans,
but only in the night when all hats are no longer upon heads.